Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
DIAPHANEITÄT VIII (Unikat)
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
DIAPHANEITÄT VIII (Unikat)
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Tracy Nicholls

DIAPHANEITÄT VIII (Unikat)

Material: Glas & Holz
Maße: 50 cm (B) x 24 cm (H) x 5 cm (T)

Eine einzigartige, im Ofen geformte Glasskulptur, bestehend aus zwei opaken, weißen Glaspaneelen auf einem Holzsockel. Das zarte, spitzenartige Design im Inneren des Objekts scheint sich aufzulösen, während Löcher entstehen und die einst massiven, opaken weißen Glaspaneele durchdringen.

Die Fäden dieser Gewebe wellen sich sanft, erzeugen Bewegung und Tiefe, während das Licht durch die Öffnungen tanzt und Schatten auf die umliegenden Oberflächen wirft.

Ein ruhiges und kontemplatives Stück, das eine wunderbare Ergänzung für jeden Raum wäre.

£2,600.00
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