Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
DIAPHANÉITÉ VIII (Pièce unique)
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
DIAPHANÉITÉ VIII (Pièce unique)
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Diaphaneity VIII by Tracy Nicholls — a one-off kiln-formed glass and marble sculpture. Two panels of opaque white glass rest on a marble base, their surface pierced by an intricate lace-like web that seems to dissolve into open space. The organic strands ripple with gentle movement, allowing light to filter through and cast shifting shadows across surrounding surfaces, transforming solidity into a play of fragility and air.
Tracy Nicholls

DIAPHANÉITÉ VIII (Pièce unique)

Matériau : Verre et bois
Dimensions : 50 cm (l) x 24 cm (h) x 5 cm (p)

Une sculpture unique en verre thermoformé composée de deux panneaux de verre blanc opaque reposant sur un socle en bois. Le motif délicat, semblable à de la dentelle, semble se désintégrer à mesure que des trous se forment et percent les panneaux autrefois pleins de verre blanc opaque.

Les fils de ces toiles ondoient doucement, créant mouvement et profondeur tandis que la lumière danse à travers les ouvertures pour projeter des ombres sur les surfaces environnantes.

Une pièce calme et contemplative qui constituerait un ajout délicieux à tout espace.

£2,600.00
/
Frais d'expédition calculés lors du passage à la caisse.
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