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Wall Art

Wall Art

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$Hyperrealistic painting of a white convertible crushed among scrap metal, car parts, and debris—its twisted frame, exposed interior, and fractured bodywork captured in striking detail.$

CUSTOMISED CONVERTIBLE NEEDS SOME ATTENTION (One-Off)

Anatomical red heart artwork with detailed veins and arteries in blue and black on a white background.

Anatomical red heart artwork with detailed veins and arteries in blue and black on a white background.

MY RUBY HEART (Original)

Marcus Bracey with Neon wall artwork featuring the phrase “Never Are We Nearer The Light Than When The Darkness Is Deepest” in layered typography. Includes fabricated metal panels, red marquee lights, a retro arrow lit with cabochon LEDs, and vivid neon lettering in magenta, violet, red, blue, turquoise, orange, and white. A glowing, multicoloured composition by Chris Bracey reflecting spiritual insight and emotional depth.

Neon wall artwork featuring the phrase “Never Are We Nearer The Light Than When The Darkness Is Deepest” in layered typography. Includes fabricated metal panels, red marquee lights, a retro arrow lit with cabochon LEDs, and vivid neon lettering in magenta, violet, red, blue, turquoise, orange, and white. A glowing, multicoloured composition by Chris Bracey reflecting spiritual insight and emotional depth.

CHRIS BRACEY - NEVER ARE WE NEARER THE LIGHT: 2013 (Artists Proof 2)

Gods Own Junkyard

Chris Bracey, neon man, master of glow, gods own junkyard, Illuminated neon sign spelling out an expletive in bold, stylised letters — each letter lit in different colours and styles, including blue script, pink block lights, yellow cursive, and white marquee bulbs, mounted against a dark backdrop.

Chris Bracey, neon man, master of glow, gods own junkyard, Illuminated neon sign spelling out an expletive in bold, stylised letters — each letter lit in different colours and styles, including blue script, pink block lights, yellow cursive, and white marquee bulbs, mounted against a dark backdrop.

CHRIS BRACEY - FUCK: 2009 (Edition 2 of 3)

Gods Own Junkyard

CHRIS BRACEY - HOT LICKS: 2009 (Edition 1 of 3)

Gods Own Junkyard

Hyperrealist painting of a row of traditional ballet costumes, intricately detailed with floral embroidery and soft pastel hues. The garments hang closely together, creating a sense of harmony, movement, and shared elegance. The composition reflects the artistry of stage costume and the beauty of performance preparation.

Hyperrealist painting of a row of traditional ballet costumes, intricately detailed with floral embroidery and soft pastel hues. The garments hang closely together, creating a sense of harmony, movement, and shared elegance. The composition reflects the artistry of stage costume and the beauty of performance preparation.

PRIMO VERE (One-Off)

"LOVE AND HATE" neon artwork by Chris Bracey featuring a skull-embellished spade card, red rose, and banner-style typography inspired by biker tattoos. Fabricated metal and neon glass from his 'Seven Deadly Sins' series, 2013.

"LOVE AND HATE" neon artwork by Chris Bracey featuring a skull-embellished spade card, red rose, and banner-style typography inspired by biker tattoos. Fabricated metal and neon glass from his 'Seven Deadly Sins' series, 2013.

CHRIS BRACEY - LOVE & HATE: 2013 (Edition 1 of 3)

Gods Own Junkyard

Vibrant neon wall piece by Chris Bracey featuring the phrase “Jesus Loves U” in illuminated pink, turquoise, and yellow. Constructed with powder-coated metal letters, LED bulbs with cabochon caps, and neon glass detailing for a bold, uplifting statement.

Vibrant neon wall piece by Chris Bracey featuring the phrase “Jesus Loves U” in illuminated pink, turquoise, and yellow. Constructed with powder-coated metal letters, LED bulbs with cabochon caps, and neon glass detailing for a bold, uplifting statement.

CHRIS BRACEY - JESUS LOVES U: 2010 (Edition 2 of 3)

Gods Own Junkyard

Neon artwork in the shape of a cross by Matthew Bracey, featuring a cascading list of light-related words, from “LIGHT” and “SHINE” at the top to “DARK” and “EXTINGUISH” at the base. Each word is rendered in glowing neon across a spectrum of colours including white, yellow, red, orange, green, blue, pink, and black, mounted on a wooden backdrop.

Neon artwork in the shape of a cross by Matthew Bracey, featuring a cascading list of light-related words, from “LIGHT” and “SHINE” at the top to “DARK” and “EXTINGUISH” at the base. Each word is rendered in glowing neon across a spectrum of colours including white, yellow, red, orange, green, blue, pink, and black, mounted on a wooden backdrop.

LIGHT TO DARK (Limited Edition 2 of 3)

Arina Gordienko hyperrealism oil painting Transition, depicting a Buddhist monk in vivid red robes standing at a temple doorway, symbolising change and crossing into the unknown, with strong contrasts of shadow and light.

Arina Gordienko hyperrealism oil painting Transition, depicting a Buddhist monk in vivid red robes standing at a temple doorway, symbolising change and crossing into the unknown, with strong contrasts of shadow and light.

TRANSITION (One-Off)

Arina Gordienko

Do You Want To Change The World With Me? by Lauren Baker, a unique large-scale neon artwork in white neon mounted on Perspex, featuring glowing handwritten text arranged in a circular form, radiating light and symbolic invitation.

Do You Want To Change The World With Me? by Lauren Baker, a unique large-scale neon artwork in white neon mounted on Perspex, featuring glowing handwritten text arranged in a circular form, radiating light and symbolic invitation.

SLOWING DOWN TIME (Original)

Do You Want To Change The World With Me? by Lauren Baker, a unique large-scale neon artwork in white neon mounted on Perspex, featuring glowing handwritten text arranged in a circular form, radiating light and symbolic invitation.

Do You Want To Change The World With Me? by Lauren Baker, a unique large-scale neon artwork in white neon mounted on Perspex, featuring glowing handwritten text arranged in a circular form, radiating light and symbolic invitation.

DO YOU WANT TO CHANGE THE WORLD WITH ME? (Unique)

Arina Gordienko hyperrealist oil painting The Vanished Summer, depicting a young woman with long blonde hair and piercing blue-grey eyes, wearing a vivid red embroidered shawl against a dark background, her expression solemn and introspective, capturing fleeting time and emotional depth.

Arina Gordienko hyperrealist oil painting The Vanished Summer, depicting a young woman with long blonde hair and piercing blue-grey eyes, wearing a vivid red embroidered shawl against a dark background, her expression solemn and introspective, capturing fleeting time and emotional depth.

THE VANISHED SUMMER (One-Off)

Arina Gordienko

Hyperrealistic acrylic painting of a crushed blue car wedged between rusted red and white vehicle fragments in a scrapyard, capturing the textures of metal, decay, and industrial collapse.

DEMISE OF THE BLUE FORD (One-Off)

Hyperrealistic painting of crushed cars in a scrapyard, featuring torn green and silver panels, rusted steel, and distorted textures—capturing the layered chaos of automotive wreckage.

COMPLETE WITH UNDER-BODY PROTECTION (One-Off)

Arina Gordienko hyperrealist oil painting I Had a Dream, portraying a young woman with closed eyes and long brown hair falling across her face, resting her head in her hand, wearing a black top and silver earrings, against a deep red background. The work captures fragility, exhaustion, and dreamlike escape with extraordinary lifelike detail.

Arina Gordienko hyperrealist oil painting I Had a Dream, portraying a young woman with closed eyes and long brown hair falling across her face, resting her head in her hand, wearing a black top and silver earrings, against a deep red background. The work captures fragility, exhaustion, and dreamlike escape with extraordinary lifelike detail.

I HAD A DREAM (One-Off)

Arina Gordienko

Mixed-media neon artwork by Matthew Bracey featuring the phrase "Love is like Heaven but hurts like Hell." The composition combines vivid neon typography in pink, red, white, blue, and orange, with a central crystal-studded skull and halo, and silver glitter angel wings mounted on a light wood panel.

Mixed-media neon artwork by Matthew Bracey featuring the phrase "Love is like Heaven but hurts like Hell." The composition combines vivid neon typography in pink, red, white, blue, and orange, with a central crystal-studded skull and halo, and silver glitter angel wings mounted on a light wood panel.

LOVE IS LIKE HEAVEN (Limited Edition 2 of 3)

Hyperrealistic painting of the iconic “taxi ride” moment from the 1991 British Grand Prix — Ayrton Senna in red racing overalls and yellow helmet riding on the sidepod of Nigel Mansell’s blue Williams F1 car. The scene captures raw camaraderie amid competition, with worn tyres, sponsor decals, and mechanical details rendered in striking detail against a dramatic dark background.

Hyperrealistic painting of the iconic “taxi ride” moment from the 1991 British Grand Prix — Ayrton Senna in red racing overalls and yellow helmet riding on the sidepod of Nigel Mansell’s blue Williams F1 car. The scene captures raw camaraderie amid competition, with worn tyres, sponsor decals, and mechanical details rendered in striking detail against a dramatic dark background.

TAXI RIDE - ARYTON SENNA (Original)

Hyperrealistic painting of a vintage Rolls-Royce viewed head-on, bathed in dramatic golden highlights against a deep black background. The iconic Spirit of Ecstasy hood ornament crowns the polished brass grille, flanked by ornate circular headlights and intricate mechanical details. The symmetrical, imposing composition transforms the car into a symbol of luxury, heritage, and cultural grandeur.

Hyperrealistic painting of a vintage Rolls-Royce viewed head-on, bathed in dramatic golden highlights against a deep black background. The iconic Spirit of Ecstasy hood ornament crowns the polished brass grille, flanked by ornate circular headlights and intricate mechanical details. The symmetrical, imposing composition transforms the car into a symbol of luxury, heritage, and cultural grandeur.

ROLLS ROYCE TIMELESS MAJESTY (Original)

Hyperrealistic painting of a classic red Mini Cooper with cream roof viewed head-on, its grille and chrome bumpers gleaming against a deep black background. The bonnet bears a cream racing roundel with the number “007,” while above it floats a shiny pink mouse-shaped balloon with a black bow tie, tethered by a thin red string. Playful yet satirical, the scene humorously reimagines British motoring culture and spy glamour.

Hyperrealistic painting of a classic red Mini Cooper with cream roof viewed head-on, its grille and chrome bumpers gleaming against a deep black background. The bonnet bears a cream racing roundel with the number “007,” while above it floats a shiny pink mouse-shaped balloon with a black bow tie, tethered by a thin red string. Playful yet satirical, the scene humorously reimagines British motoring culture and spy glamour.

MINI BALLOON 007 (Original)

Hyperrealistic painting of the Ferrari 250 GTO seen from the rear three-quarter view, its sculpted red body gleaming with deep gloss and subtle reflections. White racing roundels with black numbers “22” and “29,” classic chrome exhaust pipes, and vintage license plate “250 GTO” stand out against a moody abstract background of muted blues, greys, and creams. An homage to the world’s most coveted racing car — timeless, powerful, and iconic.

Hyperrealistic painting of the Ferrari 250 GTO seen from the rear three-quarter view, its sculpted red body gleaming with deep gloss and subtle reflections. White racing roundels with black numbers “22” and “29,” classic chrome exhaust pipes, and vintage license plate “250 GTO” stand out against a moody abstract background of muted blues, greys, and creams. An homage to the world’s most coveted racing car — timeless, powerful, and iconic.

FERRARI 250 GTO - RACING ICON (Original)

Hyperrealistic top-down portrait of the iconic Ferrari 330 P4 endurance racing car, painted in deep glossy Ferrari red with crisp white racing roundels bearing the number 21. Sleek aerodynamic curves, riveted bodywork, and black cockpit details are captured with extraordinary precision against a dark gradient background. A celebration of Italian engineering and motorsport heritage elevated to fine art.

Hyperrealistic top-down portrait of the iconic Ferrari 330 P4 endurance racing car, painted in deep glossy Ferrari red with crisp white racing roundels bearing the number 21. Sleek aerodynamic curves, riveted bodywork, and black cockpit details are captured with extraordinary precision against a dark gradient background. A celebration of Italian engineering and motorsport heritage elevated to fine art.

FERRARI 330 P4 (Original)

Hyperrealistic frontal portrait of a 1929 Bentley Blower racing car painted with striking precision. The deep British racing green body, polished chrome grille, and massive headlights dominate the dark backdrop, creating a monumental, almost living presence. Rich mechanical textures and metallic reflections celebrate engineering heritage and pre-war endurance racing glory.

Hyperrealistic frontal portrait of a 1929 Bentley Blower racing car painted with striking precision. The deep British racing green body, polished chrome grille, and massive headlights dominate the dark backdrop, creating a monumental, almost living presence. Rich mechanical textures and metallic reflections celebrate engineering heritage and pre-war endurance racing glory.

BENTLEY BLOWER 1929 (Original)

Hyper-realistic top-down painting of Ayrton Senna driving the legendary McLaren MP4/4 Formula 1 car, finished in iconic Marlboro red and white livery, set against a deep grey racing track background. Senna’s bright yellow helmet glows at the centre of the sleek aerodynamic body, capturing speed, control, and motorsport heritage in a striking aerial perspective.

Hyper-realistic top-down painting of Ayrton Senna driving the legendary McLaren MP4/4 Formula 1 car, finished in iconic Marlboro red and white livery, set against a deep grey racing track background. Senna’s bright yellow helmet glows at the centre of the sleek aerodynamic body, capturing speed, control, and motorsport heritage in a striking aerial perspective.

AYRTON SENNA - McLAREN MP4/4 (Original)

Hyper-realistic painting of a classic British racing green Aston Martin DB3S front-on against a deep black background, with a shiny metallic green frog-shaped balloon floating above the car, its red string tied to the vehicle — a playful contrast of automotive heritage and childlike whimsy.

Hyper-realistic painting of a classic British racing green Aston Martin DB3S front-on against a deep black background, with a shiny metallic green frog-shaped balloon floating above the car, its red string tied to the vehicle — a playful contrast of automotive heritage and childlike whimsy.

FROG AT THE CIRCUS - ASTON MARTIN DB3S (Original)

Bright red neon lips with white teeth, set against a dark background.

STRAWBERRY NEON (Original)

Hyperrealist painting of an ornate red feathered headdress with a theatrical skull mask at its centre, inspired by the “Mask of the Red Death” costume from Andrew Lloyd Webber’s The Phantom of the Opera. The dramatic crimson plumes and intricate gold embellishments emerge vividly against a deep black background.

Hyperrealist painting of an ornate red feathered headdress with a theatrical skull mask at its centre, inspired by the “Mask of the Red Death” costume from Andrew Lloyd Webber’s The Phantom of the Opera. The dramatic crimson plumes and intricate gold embellishments emerge vividly against a deep black background.

MASK OF THE RED DEATH (One-Off)

Arina Gordienko hyperrealist oil painting Life in Crimson Flame, depicting a young woman with freckled skin, green eyes, and long brown hair, wearing a vivid red blouse and layered red bead necklace against a deep red background. The portrait conveys resilience, emotional depth, and the struggle between past sorrow and future hope.

Arina Gordienko hyperrealist oil painting Life in Crimson Flame, depicting a young woman with freckled skin, green eyes, and long brown hair, wearing a vivid red blouse and layered red bead necklace against a deep red background. The portrait conveys resilience, emotional depth, and the struggle between past sorrow and future hope.

LIFE IN CRIMSON FLAME (One-Off)

Arina Gordienko

Arina Gordienko hyperrealist oil painting After You, depicting a wooden frame entwined with dense green foliage, where everyday objects—a spiral light bulb, iPhone charger cable, and dark sunglasses—hang among the leaves. Painted during lockdown, the work reflects themes of absence, memory, and what remains after us.

Arina Gordienko hyperrealist oil painting After You, depicting a wooden frame entwined with dense green foliage, where everyday objects—a spiral light bulb, iPhone charger cable, and dark sunglasses—hang among the leaves. Painted during lockdown, the work reflects themes of absence, memory, and what remains after us.

AFTER YOU (One-Off)

Arina Gordienko

THE UNCERTAINTY OF THE PRESENT 5 (One-Off)

Bold pop art portrait of a woman in vibrant retro jacket and oversized sunglasses.

Bold pop art portrait of a woman in vibrant retro jacket and oversized sunglasses.

VANTAGE POINT (Original)

Paul Normansell

Neon artwork by Matthew Bracey in warm white script reading “Your Love is my Light,” mounted on a uniquely contoured, deep red wood panel shaped like a stylised landscape or abstract map. The word “Love” is stylised with a heart-shaped “o,” glowing against rich wood grain and glowing red backlighting.

Neon artwork by Matthew Bracey in warm white script reading “Your Love is my Light,” mounted on a uniquely contoured, deep red wood panel shaped like a stylised landscape or abstract map. The word “Love” is stylised with a heart-shaped “o,” glowing against rich wood grain and glowing red backlighting.

YOUR LOVE IS MY LIGHT (Limited Edition 1 of 5)

Large expressive abstract painting by James Green titled The Kneeling Horizon, featuring bold black line figures over layered pastel pink, mint green, and grey with vibrant yellow drips, textured brushstrokes, and raw gestural energy on unstretched canvas.

THE KNEELING HORIZON (Original)

WHEN FATE WAS TRACING US BEHIND (One-Off)

Arina Gordienko

Large abstract expressionist painting combining figurative and graffiti-style elements, featuring a distorted human face rendered in burnt orange, cream, and black brushstrokes. A bold blue outline of a cartoon-like animal sits to the left, while chaotic layers of deep blue, white, and black spray paint form a web of scribbled lines across a textured background of pale blue, grey, and pink. The composition conveys movement, tension, and urban energy.

THE INVISIBLE HAND OF CONTROL (Original)

Arina Gordienko hyperrealist oil painting Long Walk Alone in the Tender Flame, portraying a young woman with auburn hair and freckled skin, shown in close-up against a vivid crimson red background. Her downward gaze conveys melancholy, resilience, and quiet strength, reflecting themes of struggle, hope, and endurance through hardship.

Arina Gordienko hyperrealist oil painting Long Walk Alone in the Tender Flame, portraying a young woman with auburn hair and freckled skin, shown in close-up against a vivid crimson red background. Her downward gaze conveys melancholy, resilience, and quiet strength, reflecting themes of struggle, hope, and endurance through hardship.

LONG WALK ALONE IN THE TENDER FLAME (One-Off)

Arina Gordienko

Glossy abstract red and pink circular form with soft gradients and reflective highlights on a white background.

Glossy abstract red and pink circular form with soft gradients and reflective highlights on a white background.

CRIMSON POP (Original)

Neon artwork by Matthew Bracey with layered text reading: “WE FEAR Rejection, WANT ATTENTION, CRAVE affection, DREAM OF Perfection.” Each key word is highlighted in bold neon — “Rejection” in white, “ATTENTION” in red within a neon-outlined box, “affection” in pink, and “Perfection” in bright blue — all set against a weathered grey wooden background.

Neon artwork by Matthew Bracey with layered text reading: “WE FEAR Rejection, WANT ATTENTION, CRAVE affection, DREAM OF Perfection.” Each key word is highlighted in bold neon — “Rejection” in white, “ATTENTION” in red within a neon-outlined box, “affection” in pink, and “Perfection” in bright blue — all set against a weathered grey wooden background.

WE FEAR REJECTION (Limited Edition 1 of 3)

The Portal by Ben Rousseau – a circular illuminated artwork blending acrylic, LED, and brass. Featuring concentric rings and circuit-inspired patterns in gold, white, and black, it transforms technology into art and light into architectural sculpture.

The Portal by Ben Rousseau – a circular illuminated artwork blending acrylic, LED, and brass. Featuring concentric rings and circuit-inspired patterns in gold, white, and black, it transforms technology into art and light into architectural sculpture.

THE PORTAL (Limited Edition of 9)

Vibrant abstract mixed media painting by James Green with layered graffiti-style text reading “The Extravagant Silhouette of an Awakening Stereotype,” featuring bold splashes of yellow, red, purple, blue, and black, textured brushwork, and silhouetted figures.

THE EXTRAVAGANT SILHOUETTE OF AN AWAKENING STEREOTYPE (Original)

Bold, chaotic abstract painting by James Green with a fragmented blue human form emerging amid explosive layers of yellow, red, black, and turquoise graffiti-like marks on raw canvas, expressing transformation and raw emotion.

HAD TO DIE 2 EMERGE (Original)

Highly polished stainless steel wall sculpture by Yoni Alter, shaped into a stylised cloud form composed of interlinked bulbous domes. The mirror finish reflects its environment in distorted, multi-angle reflections, giving the piece a playful yet refined, dreamlike presence. Suitable for both indoor and outdoor display.

Highly polished stainless steel wall sculpture by Yoni Alter, shaped into a stylised cloud form composed of interlinked bulbous domes. The mirror finish reflects its environment in distorted, multi-angle reflections, giving the piece a playful yet refined, dreamlike presence. Suitable for both indoor and outdoor display.

A REAL CLOUD (Limited Edition of 3)

Striking wall-mounted sculpture by Yoni Alter, crafted from mirror-polished stainless steel and shaped into a stylised cresting wave. The reflective surface and sweeping fluid lines capture movement, energy, and elegance, blending natural inspiration with futuristic minimalism. Suitable for both interior and exterior display.

Striking wall-mounted sculpture by Yoni Alter, crafted from mirror-polished stainless steel and shaped into a stylised cresting wave. The reflective surface and sweeping fluid lines capture movement, energy, and elegance, blending natural inspiration with futuristic minimalism. Suitable for both interior and exterior display.

ARRIFANA (Limited Edition of 3)

Wall-mounted stainless steel sculpture resembling a dynamic liquid splash frozen mid-motion, with high-shine chrome finish and flowing, organic extensions.

Wall-mounted stainless steel sculpture resembling a dynamic liquid splash frozen mid-motion, with high-shine chrome finish and flowing, organic extensions.

FREESTYLER (Limited Edition of 3)

A vibrant neon artwork by Matthew Bracey featuring the words “Fun Coupons” in warm white neon tubing mounted over a customised $100 bill. The note includes a stylised portrait replacing the usual figure, framed in a distressed wooden box. The playful juxtaposition of currency and neon speaks to themes of consumerism, humour, and pop culture.

A vibrant neon artwork by Matthew Bracey featuring the words “Fun Coupons” in warm white neon tubing mounted over a customised $100 bill. The note includes a stylised portrait replacing the usual figure, framed in a distressed wooden box. The playful juxtaposition of currency and neon speaks to themes of consumerism, humour, and pop culture.

FUN COUPONS (Limited Edition 3 of 3)

Sculpted stag head made from welded metal parts and gears, mounted against a white background.

Sculpted stag head made from welded metal parts and gears, mounted against a white background.

STAG BUST (One-Off)

Neon wall art by Matthew Bracey featuring the iconic mob quote “Never RAT on your friends and always keep your mouth SHUT.” The words are written in bold neon script across a distressed wood panel in red, blue, white, yellow, and orange neon colours, creating a striking and rebellious visual statement.

Neon wall art by Matthew Bracey featuring the iconic mob quote “Never RAT on your friends and always keep your mouth SHUT.” The words are written in bold neon script across a distressed wood panel in red, blue, white, yellow, and orange neon colours, creating a striking and rebellious visual statement.

NEVER RAT ON YOUR FRIENDS (Limited Edition 2 of 3)

Martin Luther King Jr by James Earley — a hyperrealist oil painting styled as a weathered book cover, featuring King mid-speech at the microphone, his expression poised and resolute, set against a soft-focus crowd. A bold quote beneath reads, “Injustice anywhere is a threat to justice everywhere,” framed in regal purple with distressed corners and vintage wear.

Martin Luther King Jr by James Earley — a hyperrealist oil painting styled as a weathered book cover, featuring King mid-speech at the microphone, his expression poised and resolute, set against a soft-focus crowd. A bold quote beneath reads, “Injustice anywhere is a threat to justice everywhere,” framed in regal purple with distressed corners and vintage wear.

MARTIN LUTHER KING JR (One-Off)

Framed neon artwork by Matthew Bracey reading “Trust your own MADNESS.” The word “TRUST” is bold in red neon, with a glittered letter ‘T’ lit by colourful carnival-style bulbs. “Your own” is rendered in a black cursive style, and “MADNESS” shines in bright white neon, all set against a distressed wooden panel backdrop.

Framed neon artwork by Matthew Bracey reading “Trust your own MADNESS.” The word “TRUST” is bold in red neon, with a glittered letter ‘T’ lit by colourful carnival-style bulbs. “Your own” is rendered in a black cursive style, and “MADNESS” shines in bright white neon, all set against a distressed wooden panel backdrop.

TRUST YOUR OWN MADNESS (Limited Edition 2 of 3)

A multicoloured neon artwork by Matthew Bracey spelling out “I thought I was dreaming when you said you loved me” in a mix of script and block fonts. Each neon word glows in a different hue—yellow, green, white, purple, pink, and cyan—mounted against rustic, stained wood planks that transition in gradient colour tones. The vibrant piece blends romance, nostalgia, and urban edge with a playful pop-art twist.

A multicoloured neon artwork by Matthew Bracey spelling out “I thought I was dreaming when you said you loved me” in a mix of script and block fonts. Each neon word glows in a different hue—yellow, green, white, purple, pink, and cyan—mounted against rustic, stained wood planks that transition in gradient colour tones. The vibrant piece blends romance, nostalgia, and urban edge with a playful pop-art twist.

I THOUGHT I WAS DREAMING (Limited Edition of 3)

Glossy magenta lips with white teeth, stylised with bold highlights and reflections on a white background.

CARMINE (Original)

JUICY CHERRY (Original)

Large expressive abstract painting with raw, gestural faces and graffiti-like marks in vivid cobalt blue, lemon yellow, black, and soft pink on unstretched canvas — a chaotic yet emotive composition by James Green.

CRUCIFIX (Original)

Acrylic painting depicting a heap of crushed car parts and rusted metal, where three discarded toys—a porcelain doll, a teddy bear, and a soft toy puppy—rest amongst the wreckage, suggesting stories lost or long forgotten.

BEGINNING OF A GREAT ADVENTURE (One-Off)

Acrylic painting of a dense pile of rusted, twisted metal and discarded objects, including a crumpled red soda can, a yellow toy bear, and a bleached animal skull—evoking a scene of industrial decay and forgotten relics.

DINOSAURS PICNIC (One-Off)

Abstract figurative painting featuring a distorted human form outlined in black with vivid brushstrokes of red, blue, yellow, and green against a textured, graffiti-style background.

A LIFE REALLY LIVED - Pianist (Original)

Large abstract mixed media painting by James Green with ghostly white figure holding a glowing red phone, layered blues, teals, greens and deep blacks merging with graffiti-like marks, textured strokes and raw expressive writing reading “KEEPER”.

KEEPER (Original)

Arina Gordienko hyperrealist oil painting Full Moon, a dramatic portrait of a woman with flowing red hair, piercing green eyes, and ornate silver and black jewellery, inspired by Ortrud from Wagner’s opera Lohengrin. Set against a dark background, the figure radiates strength, mystery, and theatrical presence, blending classical opera with contemporary realism.

Arina Gordienko hyperrealist oil painting Full Moon, a dramatic portrait of a woman with flowing red hair, piercing green eyes, and ornate silver and black jewellery, inspired by Ortrud from Wagner’s opera Lohengrin. Set against a dark background, the figure radiates strength, mystery, and theatrical presence, blending classical opera with contemporary realism.

FULL MOON (One-Off)

Arina Gordienko

Curved neon light installation by Matthew Bracey forming a radiant spectrum across a wall, with glowing arcs in red, orange, yellow, green, blue, and violet. The light creates a dynamic rainbow effect that spills onto the surrounding surface, showcasing a bold and immersive colour experience.

Curved neon light installation by Matthew Bracey forming a radiant spectrum across a wall, with glowing arcs in red, orange, yellow, green, blue, and violet. The light creates a dynamic rainbow effect that spills onto the surrounding surface, showcasing a bold and immersive colour experience.

SPECTRUM NEON (Limited Edition 1 of 3)

A hyperrealistic acrylic painting of intricately folded, vivid textile forms resembling an abstract flower. The fabric, designed by Dame Zandra Rhodes, bursts with dynamic pinks, reds, blues, purples, and whites, featuring layered patterns and frayed edges, set against a deep black background.

A hyperrealistic acrylic painting of intricately folded, vivid textile forms resembling an abstract flower. The fabric, designed by Dame Zandra Rhodes, bursts with dynamic pinks, reds, blues, purples, and whites, featuring layered patterns and frayed edges, set against a deep black background.

LACE BLOOM (One-Off)

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Wall Art

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